The work uses technology as a mediator and source of connection between people. Based on Hartmut Rosa's book - Resonance - the work emphasizes how we mirror each other, let ourselves be influenced and enter into dialogues. Here manifested through soundscapes and oscillations that are activated and intensified by virtue of our presence. Ultrasonic meters set up dichotomously control frequency and volume, respectively, which are affected in interacting intensity through the degree of human presence. Exhibited at Kunstnernes Efterårsudstilling 2021.
Life Extending Modular System
“L.E.M.S" is an immersive art installation that intricately intertwines philosophical inquiry with artistic expression, exploring the multifaceted relationship between humanity, nature, and technology. Drawing inspiration from Martin Heidegger's contemplations on technology and Leonardo DaVinci's divine dodecahedron, this installation offers a captivating fusion of thought-provoking exploration and aesthetic engagement.
At its heart, "L.E.M.S" features 12 dodecahedron modules, each representing a vital facet of nature's essence. These modules, equipped with sensors responsive to human interaction, rely on visitors to provide essential elements such as light, water, and air. However, this reciprocal relationship is nuanced: nature's sustenance is contingent upon human presence and introspection.
The technological infrastructure of "L.E.M.S" serves as life-giving conduits, symbolizing the intricate interconnectedness between humans, nature, and technology. Visitors are called upon to invest their time and presence, becoming stewards of this artificial ecosystem, shaping and nurturing it according to their desires and needs.
"L.E.M.S - Life Extending Modular System" challenges viewers to reflect on the consequences of their relationship with nature and technology. Through introspection and engagement, visitors are prompted to contemplate their responsibility as custodians of this delicate ecosystem and consider the way forward in our evolving interaction with the natural world. Exhibited at Godsbanen and at Kunstcentret Silkeborg Bad.
The Island XL
Concept and idea
A 21st century amphitheatre - The original
The Island recreates a forum where modern people can acquire cultural, artistic and social experiences - also on the part of the map covered by the sea.
The original version includes, larger area for moorings, changing rooms and a larger scene. The design of the platform is a reinterpretation of the Aarhus Greater Bay Area, using historic important cities height above water in scaling the architectural programming of The Island.
8784 hours / 366 days / 1 (leap) year - art in a shopping mall
"The Pizza Shop Reformation" is a captivating sculpture housed within the remnants of a former pizza shop, nestled amidst the desolation of a decaying shopping mall. This life-size creation serves as a profound meditation on the intricate relationship between art, societal rejuvenation, and the evolving landscape of labor.
Crafted with meticulous attention to detail, the sculpture embodies the essence of a once vibrant pizza establishment, now frozen in time amidst urban decay. From the faded signage to the weathered countertops, every element exudes a palpable sense of nostalgia and history, inviting viewers to immerse themselves in its evocative narrative.
Conceptually, "The Pizza Shop Reformation" transcends its physical form to symbolize a broader movement towards societal renewal. It stands as a powerful testament to the transformative potential of art in breathing life into neglected spaces and fostering communal connections.
Drawing inspiration from the Fluxus movement, this sculpture challenges conventional notions of artistic creation by foregrounding the very process of its making. By elevating the act of artistic production to the status of the artwork itself, "The Pizza Shop Reformation" celebrates creativity as a catalyst for social change.
In a nod to the avant-garde ethos of Dadaism, the sculpture is born from the remnants of deconstructed materials, repurposed and reassembled into a compelling new form. Employing a cut-up method reminiscent of Dadaist collage, it defies easy categorization, inviting viewers to explore its enigmatic depths and unravel the layers of meaning woven throughout.
Ultimately, "The Pizza Shop Reformation" transcends the confines of traditional art forms to emerge as a dynamic embodiment of regeneration and renewal. Through its compelling fusion of aesthetics and social commentary, it invites audiences to reconsider the role of art in shaping the world around us.
A handmade artistic representation of an Authentic Gift Certificate for the buy-nothing-year. US version 57$, EU version 48,66€ and DK version 362,26DKK. Each of the artworks made to look like an authentic gift certificate is handmade fra scrap materiales. The value is equivalent to a month living for roughly 736 million people in the world. That live on or under the lower poverty treshold.
Morbi quis nunc volutpat, lacinia mauris eu, pretium est. Praesent eget venenatis metus, tincidunt gravida mauris. Duis eget quam aliquet, hendrerit tellus sed, egestas turpis. Morbi egestas condimentum egestas. Morbi fermentum mi ut turpis rhoncus sollicitudin. Aliquam pellentesque condimentum ullamcorper posuere nisl.
"Gnothi Seauton" is an art work that merges the symbolism of hydration bladders with the profound concepts of self-discovery, gender pronouns, and personal identity. Through a visually engaging and thought-provoking exploration, this installation invites viewers to reflect upon the fluid nature of their identities and the empowering role of gender pronouns in expressing their authentic selves.
The work aims to challenge the notion of fixed identities and celebrate the ever-evolving nature of personal expression. Drawing inspiration from the ancient wisdom of "Gnothi Seauton" (Know Thyself), the installation symbolically employs hydration bladders to represent the fluidity and essentiality of identity. The artwork emphasizes the significance of gender pronouns in acknowledging and affirming one's true self.
The installation features a display of hydration bladders, pinned on the wall. Every bladder is the same. Each bladder contains from 39% to 73% water which is a reference to the amount of water normally found in male and female bodies. Each bladder represents an individual's journey of self-discovery, and their varying levels of fluid reflect the dynamic nature of gender identity. On top of each bladder is a sticker with the preferred gender pronouns, He/Him, She/Her, They/Them, Ze/Hir, Xe/Xem and Ey/Em.
"Gnothi Seauton" is an artistic installation that invites viewers to reflect upon the fluid nature of personal identity and the empowering significance of gender pronouns. Through visually captivating hydration bladders - this project encourages self-reflection, inclusivity, and a celebration of diverse gender expressions. It aims to inspire viewers to question their identities, honor their preferred pronouns, and foster a more accepting and affirming society for all.
"Social Distance is a Matter of Principle" as an artwork focusing on the boundaries between social distance, personal distance, and intimate distance suggests a deeper exploration of the conceptual and ethical aspects of these interpersonal spaces.
Social distance refers to the physical and psychological space maintained between individuals in a social setting. It can vary depending on cultural norms and personal preferences. Personal distance is the space we maintain for interactions with acquaintances or people we have a casual relationship with. Intimate distance, on the other hand, represents the close physical proximity reserved for our closest relationships and personal connections.
In this artwork, the boundaries between these zones is to be explored in various ways. It involve visual representations, such as physical zones that depict different distances.
The intention of "Social Distance is a Matter of Principle" is to prompt viewers to critically examine the principles that guide their understanding and practice of social, personal, and intimate distances. It explores themes such as consent, autonomy, vulnerability, and the power dynamics inherent in these spaces. By challenging the boundaries between these distances, the artwork encourages a reconsideration of social norms and encourage viewers to reflect on their own values and experiences. It also offers an opportunity for dialogue and exploration of how these principles influence our connections, well-being, and sense of belonging.
The goal of "Social Distance is a Matter of Principle" could be to provoke contemplation about the ways in which social norms, personal comfort, and emotional intimacy influence our relationships. By blurring or challenging these boundaries, the artwork could encourage viewers to question and reassess their own understanding and experience of interpersonal space.
Overall, this artwork offers an opportunity for reflection and exploration of the nuanced dynamics between social distance, personal distance, and intimate distance, highlighting the ways in which these factors shape our connections with others.
The term "caesura" refers to a pause or break in a line of poetry or music, and this concept is translated into the physical space of the building, interrupting its rigid structure and inviting contemplation. "Caesura" is a captivating art installation that utilizes two slanted light sources, each composed of different colors ranging from warm to cold, to create a visually striking interruption on a brutalist building.
The installation aims to disrupt the architectural environment, inviting viewers to pause, contemplate, and experience a moment of respite amidst the imposing structure. Through the interplay of colors and the juxtaposition of warmth and coldness, "Caesura" seeks to evoke emotions and challenge perceptions. By employing a carefully crafted composition of colored lights, the installation emphasizes contrast and encourages viewers to reflect on the relationship between the building's starkness and the transient nature of human experience.
The purpose of "Caesura" is to challenge the viewer's perception of the brutalist building, which is often associated with austerity and harshness. By inserting these intentional breaks within the architecture, the installation encourages contemplation and introspection, offering a new perspective on the space. It invites viewers to question the notion of permanence and solidity that is often associated with brutalist architecture, instead emphasizing the potential for transformation and renewal.
The installation can be experienced both during daylight hours and at night, as the changing natural light interacts with the artificial illumination. This dynamic interplay ensures that the artwork remains engaging and thought-provoking throughout the day, creating an immersive experience for visitors and passersby alike.
"Caesura" aims to inspire dialogue and reflection about the relationship between art, architecture, and the built environment. By imposing breaks on the brutalist building through the strategic use of light, the installation challenges our perceptions and prompts us to reconsider the rigid structures that surround us, ultimately inviting us to find moments of pause and reflection in our busy lives. Site-specific artwork is located at the southeastern corner of a decommissioned brutalist shopping mall called City Vest in Gellerup.